SUMMER 2025 & 2026
New art for New York

About Open Call

Launched as part of The Shed’s inaugural-year program, Open Call is a large-scale commissioning program for early-career, NYC-based artists. Representing disciplines from music performance, poetry, and puppetry to painting, sculpture, and video, Open Call exemplifies what The Shed does best in championing dynamic, innovative art of all kinds.

Open Call artists receive a commissioning fee of up to $15,000 depending on the scope of their projects, robust production support, and resources to further nurture their practices and expand their audiences. Admission is free to all Open Call events.

ABOUT THE 2025 – 26 ARTISTS

The 2025 – 26 Open Call artists. Left to right, front row: James Caverly, Nicholas Oh and A young Yu (AYDO). Middle row: Andrew Morrill, Mel Corchado, Laurena Finéus, Jarrett Key, Zain Alam, Luis Vasquez La Roche. Back row: Katherine Paola De La Cruz, Marwa Eltahir, Patricia Encarnación, Tyson Houseman, Nehprii Amenii, Victor “MARKA27” Quiñonez, Avi Amon, Lily Yang (of Lily Honglei), Yelaine Rodriguez. Not pictured: Rudi Goblen, Chelsea Odufu. Photo: Dana Golan.
A group of artists pose for a photo in an empty event space. They are arranged in three rows, with the first two rows seated on crates and the back row standing behind them.
The 2025 – 26 Open Call artists. Left to right, front row: James Caverly, Nicholas Oh and A young Yu (AYDO). Middle row: Andrew Morrill, Mel Corchado, Laurena Finéus, Jarrett Key, Zain Alam, Luis Vasquez La Roche. Back row: Katherine Paola De La Cruz, Marwa Eltahir, Patricia Encarnación, Tyson Houseman, Nehprii Amenii, Victor “MARKA27” Quiñonez, Avi Amon, Lily Yang (of Lily Honglei), Yelaine Rodriguez. Not pictured: Rudi Goblen, Chelsea Odufu. Photo: Dana Golan.

For its fourth edition, 17 exceptional artist proposals (out of 1,000 total submissions) were chosen by 72 interdisciplinary professionals, all leaders in their fields, including other artists and members of The Shed’s staff. The work by these emerging artists, all living or working within the five boroughs, will engage and inspire audiences with powerful reflections on the urgent issues of our time through the intersection of personal identity and historical narratives.

In summer 2025, 12 visual and performance artists/collectives will unveil their work in an exhibition in The Shed’s Level 2 Gallery and on the outdoor Plaza. Five performing artists/collectives will present in summer 2026.

Learn more about the artists and their projects below. For updates on exhibition and performance dates, join our email list.

About the 2025 – 26 Artists

A portrait of artist Zain Alam. He is an Indian Pakistani person with wavy black hair parted over his forehead and a mustache. We see him from an angle slightly below, looking up at him with the façade of a house with windows in the background. He looks directly at us, eyes angled down slightly.
Courtesy the artist.
Zain Alam
A portrait of artist Nehprii Amenii. Nehprii is a Black woman with a shaved head. She has her eyes closed and a wide smile as she turns her face joyfully toward a bright light. She holds a bouquet of sunflowers.
Courtesy the artist.
Nehprii Amenii
A portrait of Turkish-American artist Avi Amon. Avi poses against a dark gray background. He wears a black t-shirt and crosses his arms over his chest. He has curly salt-and-pepper black hair and turns his head slightly to look at us directly with a mysterious look on his face.
Courtesy the artist.
Avi Amon
A portrait of artists A young Yu and Nick Oh. A young Yu is a Korean American woman and Nick is a Korean American man. They stand side by side, with shoulders touching and facing us. A young wears a long black dress and has long straight black hair that hangs beneath her shoulders. Nick has a mustache and goatee, wears glasses and a button down shirt, and stands with one hand in his pants pocket.
Courtesy the artists.
AYDO
A portrait of artist James Caverly. Joey is a white man with brown hair parted to one side across his forehead. She smiles slightly and looks directly at us. He wears a black tshirt.
Photo: Andrew Morrill. Courtesy the artist.
James Caverly
A headshot portrait of artist Mel Corchado. Mel is a Boricua woman whose wavy brown hair flows out of a green scarf she wears on her head. She looks directly at us, with lips curled in a smile, and wears a pale purple sleeveless shirt.
Courtesy the artist.
Mel Corchado
A portrait of artist Marwa Eltahir. Marwa is a Sudanese American woman who is seen outside in front of a brownstone building from an angle slightly below. She swipes windswept bangs from in front of her face.
Photo: Brandon Thomas Brand. Courtesy the artist.
Marwa Eltahir
A portrait of Afro-Dominican artist Patricia Encarnación. Patricia is dressed in white loose clothing, with a shoulderless blouse. She sits with legs crossed in a space covered in white fabric and white sheer curtains. Around her feet are art objects including small paintings and a sculpted conch shell.
Photo: Bernardo Almonte. Courtesy the artist.
Patricia Encarnación
A black-and-white portrait of Haitian Canadian artist Laurena Finéus. Laurena sits with one side of her face lit by a light source out of the frame. She leans back casually, supporting herself with her arms outstretched behind her. She has long locs that fall to her waist and wears a loose-fitting dress. She looks directly at us with a pleasant look on her face.
Photo: Geghani Panosian. Courtesy the artist.
Laurena Finéus
A portrait of artist Rudi Goblen. Rudi is a Nicaraguan man who sits with arms crossed over his chest, facing us and looking directly at us. He has a trimmed mustache and beard and wears a royal blue cap and jacket zipped up over a white t-shirt.
Courtesy the artist.
Rudi Goblen
A portrait of artist duo Lily Honglei. Lily Yang, a Chinese woman, stands to the left of the photo in a long beige cardigan. She looks directly at us smiling and reaches down with one hand to a work table in front of her. Beside her, Chinese artist Honglei Li leans on the same table with both arms. He wears a blue blazer over a light blue shirt.
Courtesy the artist.
Lily Honglei
A portrait of artist Tyson Houseman. He sits in a denim button down shirt against a beige felt background. His arms are crossed at his waist at the bottom of the frame and he looks directly at us, with eyebrows slightly raised.
Photo: Dana Golan.
Tyson Houseman
A black-and-white portrait of artist Jarrett Key. Jarrett is a Black person who wears a knit vested buttoned up with no shirt underneath. They lean casually on their left arm, have short locs that fall over their forehead, and look directly at us.
Photo: Emil Cohen. Courtesy the artist.
Jarrett Key
A portrait of artist Andrew Morrill. He is a white man who is pictured in dramatic lighting with the background in shadow. He leans slightly forward on one arm propped on his leg. He had a beard, wears glasses and a golden brown t-shirt, and smiles at us.
Courtesy the artist.
Andrew Morrill
A portrait of artist Chelsea Odufu, seen in profile against a stark white background. Chelsea is a Black woman who wears a dark jacket, large rectangular gold earrings, and a tall, dark conical hat with a narrow boxy brim.
Courtesy the artist.
Chelsea Odufu
A portrait of Afro-Dominican dancer and choreographer Katherine Paola De La Cruz. Katherine poses in a seated position with one leg drawn to her chest. She rests her elbow on her knee and leans her head one one hand. She wears a jacket over a blue button down blouse. She looks directly at us with eyebrows slightly raised.
Photo: Jordi Perez. Courtesy the artist.
Katherine Paola De La Cruz
A portrait of artist Victor "MARKA27" Quiñonez. Victor sits in a metal chair in a white studio space. He poses with hands in lap, wearing a cap and dark sunglasses, facing us directly. Behind, colorful graffiti-style paintings hang on the wall.
Photo: Carolina Porras Monroy, @carolina.picante. Courtesy the artist.
Victor “MARKA27” Quiñonez
A portrait of artist Yelaine Rodriguez. She has curly, long brown hair and wears a purple dress. She poses against a beige felt background with her arms crossed over her knees, leaning forward slightly, and looking intently at us.
Photo: Dana Golan.
Yelaine Rodriguez
A portrait of artist Luis Vasquez La Roche. He has a mustache and goatee under his chin and wears a pink sweatshirt and burnt orange beanie. He poses against a beige felt background and looks directly at us with a calm, concentrated look on his face.
Photo: Dana Golan.
Luis Vasquez La Roche
Zain Alam
Zain Alam (he/him) is an artist and composer of Indian Pakistani origin whose work is described as “a unique intersection, merging the cinematic formality of Bollywood and geometric repetition of Islamic art” (Fanzine).
Nehprii Amenii
Nehprii Amenii (she/her) is a director, playwright, and puppeteer. With a passion for personal narratives, puppetry, and grand-scale spectacle, she’s known for creating experiences that enchant the imagination and inspire new ways of seeing and thinking.
Avi Amon
Avi Amon (he/they) is an award-winning, Turkish American composer and sound artist whose work has been featured at Ars Nova, DOCNYC, The Kennedy Center, PACNYC, Signature, Venice Biennale, and more. Amon is the music director at the 52nd Street Project and teaches at NYU. @aviamon
AYDO
AYDO is a multidisciplinary, collaborative duo founded by artists A young Yu and Nicholas Oh. AYDO’s practice is centered on diasporic reimaginations of precolonial ancestral cultural practices.
James Caverly
James Caverly (he/him) is widely known for his breakout role in Only Murders in the Building. When he is not acting, the multi-award-winning artist directs, produces, and writes stories for the stage.
Mel Corchado
Mel Corchado (she/her) is a Brooklyn-based, Boricua fashion designer and artist whose practice explores how fashion might confront narratives and shift consciousness in service of decolonization.
Marwa Eltahir
Marwa Eltahir (she/her) is a Sudanese American writer and performer based in Brooklyn. Her audiovisual essays examine narratives of movement, identity, and belonging across the diaspora. She is the founder of Our Political Home, an art incubator for trans and queer African storytellers.
Patricia Encarnación
Afro-Dominican artist and scholar Patricia Encarnación (she/they) challenges colonial legacies. Their work observes Caribbean aesthetics through material culture, memory, and identity. Noted for residencies and awards, their art spans Documenta 15, the Tribeca Festival, and the Bronx Museum, supported by academic fellowships.
Laurena Finéus
Laurena Finéus (she/her) is a Haitian Canadian interdisciplinary artist. In her practice, Finéus has been concerned with representations of Black geographies, maroon thought, and migratory histories through imagined landscapes. Finéus is based in Brooklyn.
Rudi Goblen
Rudi Goblen (he/him) is a playwright, educator, and performer who creates devised theater work. He holds an MFA in playwriting from the Yale School of Drama.
Lily Honglei
Lily Honglei (they/them) is a Chinese immigrant artist duo based in Flushing Chinatown, Queens. They recently presented at Flushing Town Hall, Chinese American Arts Council, and Jamaica Center for Arts & Learning.
Tyson Houseman
Tyson Houseman (he/they) is a nēhiyaw interdisciplinary video and performance artist, puppeteer, and filmmaker.
Jarrett Key
Jarrett Key (they/them) lives and works in Brooklyn. They grew up in rural Alabama and received their MFA in painting at the Rhode Island School of Design in 2020. The objects they make integrate sculpture, painting, and performance.
Andrew Morrill
Andrew Morrill (he/him) is an Obie-winning theatermaker specializing in translation, playwriting, directing, and acting. His work has been featured at The Public, New York Theatre Workshop, Ars Nova, Deaf West, and more.
Chelsea Odufu
Chelsea Odufu (she/her) is a multidisciplinary artist whose work spans video installations, sculpture, photography, and film. She has exhibited globally, including at Paris Photo, Dakar Biennale, Photo London, and the Los Angeles County Museum of Art.
Katherine Paola De La Cruz
Katherine Paola De La Cruz is an Afro-Dominican dancer and choreographer based in Queens. Her work is born from a need to make direct political statements and to make visible often-ignored inner healing processes.
Victor “MARKA27” Quiñonez
Victor “MARKA27” Quiñonez (he/him) blends art forms such as graffiti, street art, vinyl, toys, and fashion with art activism. Drawing inspiration from Mexican masters and his heritage, his works reflect the empowerment and representation of marginalized communities.
Yelaine Rodriguez
Yelaine Rodriguez (she/her) is a Bronx-born interdisciplinary artist and scholar focused on examining Afro-syncretic religions through photography and video. She is pursuing a PhD at Northwestern University.
Luis Vasquez La Roche
Luis Vasquez La Roche (he/they) is an artist and scholar who resides between Trinidad and Tobago and Virginia and works in New York City. They are interested in aspects of the transatlantic slave trade that manifest themselves in varying ways in the present.

More About Their Projects

Exhibition Artists (Summer 2025)

Zain Alam, Meter & Light: Night: A three-channel audiovisual installation enacting the interlocking rhythms of time in Muslim life after sunset

AYDO, Border Ecologies: A video and ceramic installation exploring on-site documentation of the Korean Demilitarized Zone and the United States–Mexico borderland through sociopolitical, cultural, and environmental perspectives

Mel Corchado, ​​$TICKY $IN$: A collection of sugar garments exploring sugar’s history and its ties to identity, fashion, and the exploitation of land and labor

Marwa Eltahir, 99 Names: My Liberation Is Tied to Yours: An immersive, audiovisual performance examining themes of loss, grief, and connection using imagery from the Afro-Arab diaspora

Patricia Encarnación, Tropical Limerence: An installation of video, performance, and ceramics that examines how love, exotification, and power imbalances influence relationships between the Global majority and the Global North

Laurena Finéus, Together, we could have made mountains: A collaborative textile and painting installation showcasing Brooklyn’s Haitian migrant stories and exploring dreams, sacrifices, misconceptions, and collective scars

Lily Honglei, KITES: Poems by an Immigrant: A painting series inspired by traditional Chinese kites that depicts Asian immigration stories reflecting the artist’s family saga and community life

Tyson Houseman, The Six Seasons: A live, operatic video performance and installation featuring soundscapes and lyrics sung in nēhiyawēwin (Plains Cree)

Jarrett Key, Hair Painting No. 40: A live performance in Key’s “Hair Paintings” series, in which the artist uses their hair to create paintings honoring their grandmother, Ruth Mae Giles

Chelsea Odufu, Echoes of Gold: A video installation foregrounding dance and movement to uncover the haunting legacy of the gold trade in Côte d’Ivoire

Victor “MARKA27” Quiñonez, Elevar La Cultura NYC: An immersive sculptural installation of a large Mayan pyramid, composed of ice coolers, textiles, and spiritual objects, activated by a mural and a projection, honoring the beauty and resilience of immigrant street vendors

Yelaine Rodriguez and Luis Vasquez La Roche, Residence Time | The Sea Is History: A mixed-media sculptural installation that reimagines the transatlantic slave trade’s Door of No Return in Ghana as an archaeological ruin

Performing Artists (Summer 2026)

Nehprii Amenii, “HUMAN”: An immersive, multimedia, puppetry stage play for multigenerational audiences that asks what it really means to be human

Avi Amon, Mother/Road: A multimedia meditation on grief, memory, family, and borders that draws on audio from cassette tapes Amon’s parents carried with them when they immigrated to the United States

Katherine Paola De La Cruz, Dirty Laundry: A performance exploring themes of burn out, toxic work culture, and the absurdity of résumés and cover letters at the end of the world

Rudi Goblen, FITO: An interactive concert-play combining live music, storytelling, dance, and spoken word to narrate the immigrant experience of a Nicaraguan man in the United States

Andrew Morrill and James Caverly, Thank You Ryan for a Clean Microwave: A play-within-a-play exploring the mystery of who cleaned the microwave in the coffee shop staff room

Panelists and Reviewers

Thank you to the following arts leaders who participated in the selection process:

Panelists: Jesse Alick, Torya Beard, Dejá Belardo, Darren Biggart, Kimberly Drew, Madame Gandhi, Luis Gutierrez, Tamara McCaw, Hans Ulrich Obrist, Larry Ossei-Mensah, Alex Poots, George Sanchez, Lumi Tan, Charmaine Warren, Janet Wong

Reviewers: Jason Aguirre, Juana Berrio, Alison Burstein, Nigel Campbell, Emmy Catedral, Jean Cooney, Jordana De La Cruz, Sarah Dhobhany, Tasha Douge, Sam Duke, Robyn Farrell, Jesse Firestone, Raynel Frazier, Kaitlin Garcia-Maestas, Danni Gee, Gabrielle Glore, Alessandra Gomez, Sheldon Gooch, Jody Graf, Anne Hamburger, Carl Hancock Rux, Dave Harper, Erica Harper, Daonne Huff, Adam Hyndman, Hitomi Iwasaki, Ivy Jones, Lisa Kim, Ladyfag, Jennifer Lam, Gabriela López Dena, Maggie MacTiernan, Gervais Marsh, Aaron L. McKinney, Mara Mills, Monica Mirabile, Marisa Morán Jahn, Seta Morton, Salvador Muñoz, Raelle Myrick Hodges, Benedict Nguyen, Kathy Noble, Najee Omar, Marlène Ramírez-Cancio, Alex Rosenberg, Erin Somerville, Luke Stewart, Herb Tam, Mei Ann Teo, Annabel Thompson, Terence Trouillot, Natalia Viera Salgado, Jay Wegman, Ayesha Williams, Justin Wong, Sasha Wortzel, Eva Yaa Asantewaa

Open Call Merch

Show your support for new art for New York with a limited edition, adjustable Open Call cap.
A model wears an Open Call baseball cap. The cap is a light blue, like a periwinkle denim. Across the front of the cap is embroidered in white letters: New art for New York. Behind the model are rows of books softly out of focus and facing outward along a wooden wall.

Artists (By Year Selected)

In The Works
Meet past artists
In The Works
Learn more about past commissions

over 3 years ago

Being Seen: An Interview with Leslie Cuyjet
I became aware of Leslie Cuyjet well before we actually met, and possibly before I even first saw her dance. As Black dancers within New York City’s mostly white experimental dance scene over the last decade or so, “which so often found her cast as a black dot on a white stage” (as reads the description of Leslie’s new choreographic work Blur), we’ve both experienced discomfort and attenuated feelings within the unspoken racial dynamics of casting and creative processes. When those “black dots”—on stage, and across studios and theater lobbies—are few and far between, it’s easy to spot each other in advance.

over 3 years ago

Between Artists: Emilie Gossiaux and DonChristian Jones
The world’s monuments often tower over us, imposing a sense of hierarchy that values their impact or ideology over the interpersonal scale of our lives. Artists Emilie Gossiaux and DonChristian Jones—who are preparing new artworks in sculpture and music performance, respectively, for OPEN CALL, and met online to talk about their progress in late March—imagine a different expression of monumentality rooted in the intimate relationships that they’ve grown from in their lives.

Program Credits

The fourth edition of Open Call is organized by Darren Biggart, Director of Civic Programs; Dejá Belardo, Assistant Curator; Christal Ferreira, Program Manager, Civic Programs and Visual Art; and Daisy Peele, Producer, with support by Public Assembly (Tamara McCaw, Maggie MacTiernan, Annabel Thompson).

Open Call was conceived by The Shed’s Artistic Director Alex Poots, Tamara McCaw, former Chief Civic Program Officer; Emma Enderby, former Chief Curator; and Senior Program Advisor Hans Ulrich Obrist.

Thank you to our partners

Support for Open Call is generously provided by

Additional support is provided by Sarah Arison, in honor of Misty Copeland, and The Wescustogo Foundation.

The creation of new work at The Shed is generously supported by the Lizzie and Jonathan Tisch Commissioning Fund. Major support for live productions at The Shed is provided by the Charina Endowment Fund, with additional support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

The Shed is connected by