Open Call: Onyedika Chuke

JUN 19 – AUG 25, 2019
A three-headed snake fountain exploring collective consciousness
Installation view: Open Call: Group 2, The Shed, New York, June 19 – August 25, 2019. Photo: Stan Narten.
An installation view of the Open Call Group 2 artists' group exhibition.
Installation view: Open Call: Group 2, The Shed, New York, June 19 – August 25, 2019. Photo: Lily Wan.
A three-headed snake fountain sculpture.
Installation view: Open Call: Group 2, The Shed, New York, June 19 – August 25, 2019. Photo: Stan Narten.

About this commission

The Forever Museum Archive: The Untitled/A Template for Portable Monuments © utilizes ancient iconography and symbols of divinity, protection and descent. The sculpture is a portable monument consisting of three snakeheads in reference to ancient mythologies.
Biography
Onyedika Chuke is an artist and archivist born in Onitsha, Nigeria.

Location and dates

This event takes place in Level 2 Gallery.
In The Works

Part of a program

Open Call: Group 2 Read more about “Open Call: Group 2” All details for “Open Call: Group 2”
JUN 19 – AUG 25, 2019

Open Call: Group 2

Open Call: Analisa Teachworth

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A multimedia installation referencing adaptive forms of architecture and lamenting the inevitable collapse of global markets

Open Call: Asif Mian

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A mixed-media installation simulating the surveillance of a closed sportswear store

Open Call: Avram Finkelstein

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A jacquard woven tapestry that enlarges a section of an iPhone photo of a 1971 portrait of a close, gender nonconforming friend of the artist

Open Call: Caitlin Blanchfield and Farzin Lotfi-Jam

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An investigation of the United Nations Headquarters building through archival documents and X-rays

Open Call: Christopher Udemezue

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Mixed-media sculptural photographs delving into the search for “yard” (a Jamaican word for home)

Open Call: Farideh Sakhaeifar

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A site-specific multimedia installation about the aftermath of a 1988 chemical attack on Halabja’s residents

Open Call: Haley Elizabeth Anderson

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A film and photography installation weaving images and sound gathered from the pre-production of two feature films

Open Call: Hugh Hayden

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A sculptural installation and personal meditation on home ownership as a rite of passage within the American Dream

Open Call: Julia Weist

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A collection of photographs presenting artwork used to heighten the immersive reality of simulation spaces such as television sets, training facilities, and historical reenactment sites

Open Call: Kim Brandt

JUN 19 – AUG 25, 2019

A series of performances and drawings exploring our understanding of difference

Open Call: Kiyan Williams

JUN 19 – AUG 25, 2019

A site-specific wall work using soil to paint a portrait of America and the exploitation of Black bodies and land

Open Call: Maia Chao

JUN 19 – AUG 25, 2019

A video investigating sisterhood and contradictions of race, gender, sexuality, and performativity

Open Call: Maryam Hoseini and Phoebe Derlee

JUN 19 – AUG 25, 2019

A curatorial project conceptually framing the work of Suzanne Valadon, one of the most famous female painters of 19th-century France

Open Call: Moko Fukuyama

JUN 19 – AUG 25, 2019

An installation exploring the moral ambiguities of harvesting fish and the crossover between natural world and urban society

Open Call: Saint Abdullah

JUN 19 – AUG 25, 2019

A poetry slot machine with poems from Persian poet Hafiz

Open Call: Sam Lavigne

JUN 19 – AUG 25, 2019

An interactive installation exploring how machines see human bodies

Open Call: Tahir Carl Karmali

JUN 19 – AUG 25, 2019

A suspended sculpture installation in the form of a lotus flower made from the same industrial material used to build suicide netting outside cell phone factories in Shenzhen, China

Open Call: Troy Michie

JUN 19 – AUG 25, 2019

Paper-weaving collages and sculptural suit jackets inspired by the history of the zoot suit

Open Call: WangShui

JUN 19 – AUG 25, 2019

A translucent video sculpture exploring the haptics of legibility and distance

Open Call: daaPo reo

JUN 19 – AUG 25, 2019

A mixed-media textile installation juxtaposing West African masquerade traditions and the origins of the Ku Klux Klan’s regalia

Open Call: Gabriela Corretjer-Contreras

JUN 19 – AUG 25, 2019

An installation of wearable clothing set in the home of Nena, the artist’s alter ego