Jeffrey Meris - The Shed

A chandelier-like sculpture hanging from the ceiling of an art gallery. The sculpture is made of thin, bent aluminum tubes. At the end of each tube is a ceramic vessel containing a purple orchid. LED light bulbs hang in a string down from the center of the sculpture to the floor. — Jeffrey Meris, *Catch a Stick of Fire III (Dark Man X)*, 2023. Aluminum pipes, ceramic vessels, LED lights, orchids. Overall diameter: 156 inches. Commissioned by The Shed. Artwork © Jeffrey Meris. Photo: Adam Reich.

An art installation including a film and photographic prints. The film documents a skywriting performance and is projected on a screen that hangs from the ceiling on a diagonal angle to the left of the space. Along the wall on the right hang three photos in a row of the clouds formed by the skywriting against a bright blue sky. — Sandy Williams IV, *40 ACRES: Weeksville*, 2023. Video (color, sound), 18 min., with archival documents, inkjet photo prints. Commissioned by The Shed. Artwork © Sandy Williams IV. Photo: Adam Reich.

Free Tickets

Admission to Open Call events is free. Tickets will be available Tuesday, October 17.

To reserve free tickets, visit the Open Call 2023 Group Exhibition page.

About this commission

Jeffrey Meris’s sculptural installation Catch a Stick of Fire III (Dark Man X) continues a series the artist began during the Covid-19 shutdown. In search of sanctuary from the pandemic and anti-Black violence, Meris began a weekly gardening tradition that he calls Self-Care Saturday. His series “Catch a Stick of Fire” emerged from this time dedicated to contemplating care, healing, and futurity. Catch a Stick of Fire III (Dark Man X), commissioned for Open Call, references several images and cultural moments that the artist uses to counter anti-Blackness, xenophobia, and queerphobia—from fireworks, prevalent during the protests in summer 2020, to a tender video clip of DMX caring for orchids, for Meris revealing an affectionate and graceful side to the rapper and a softer representation not often afforded to Black men in popular culture. In Meris’s installation, a suspended sculpture counters the dual crises of ongoing anti-Black violence and the pandemic, signifying hope, healing, and transformation.

Get to Know the Artist

Jeffrey Meris (b. 1991, Haiti) is a multidisciplinary artist whose practice engages with the relationship between materiality and larger cultural and social phenomenon. Working across sculpture, installation, performance, and drawing, Meris’s work considers ecology, embodiment, and various lived experiences, while healing deeply personal and historical wounds. Meris earned an AA in arts and crafts from the University of the Bahamas in 2012, a BFA in sculpture from the Tyler School of Art in 2015, and an MFA in visual arts from Columbia University in 2019. Meris has exhibited at the Amon Carter Museum, Texas (2023); the Aldrich Museum, Connecticut (2023); Lehmann Maupin, New York (2022); James Cohan Gallery, New York (2021); White Columns, New York (2021); the Luggage Store Gallery, San Francisco (2020); Halle 14, Leipzig, Germany (2017); and the National Art Gallery of the Bahamas, the D'Aguilar Art Foundation, and Mestre Projects, all in Nassau, Bahamas (2012, 2017, 2021). Meris is a Skowhegan School of Painting and Sculpture alum (2019); a NXTHVN Studio Fellow, New Haven (2020); and a Sharpe-Walentas Studio Program artist in residence, Brooklyn (2021). Always Jeffrey never “Jeff.”

12 months ago

Between Artists: Jeffrey Meris and Calli Roche

A month before the exhibition opened, Jeffrey Meris and Calli Roche met to discuss what happens when artistic vision demands a specific set of skills, how Blackness is a fundamentally creative state of being, and how art is the process of making rather than the end result…

about 1 year ago

I Am Jeffrey Meris

over 1 year ago

Studio Visit with Jeffrey Meris

over 1 year ago

Studio Visit with Jeffrey Meris

over 1 year ago

Studio Visit with Jeffrey Meris

part of an exhibition

Open Call 2023 Group Exhibition Read more about “Open Call 2023 Group Exhibition” All details for “Open Call 2023 Group Exhibition”

NOV 4, 2023 – JAN 21, 2024

New art for New York

Open Call 2023 Group Exhibition

Thank you to our partners

The Sponsor of Open Call is

Support for Open Call is generously provided by

Additional support for Open Call is provided by Warner Bros. Discovery 150, The Wescustogo Foundation, and Jody and John Arnhold | Arnhold Foundation.

The creation of new work at The Shed is generously supported by the Lizzie and Jonathan Tisch Commissioning Fund and the Shed Commissioners.