ONLINE NOW
Explore the significance of hand clapping games, and design your own online
About this commission
Conceived by artists Salome Asega and Keenan MacWilliam, Hey Mary! connects online audiences to the youthful play of hand clapping games and explores their cultural significance. Through a simple internet interface, participants can create their own hand choreography by dragging and dropping animations of each motion on the screen. The online game will be accompanied by a video documenting a past hand clapping performance on the High Line that was spearheaded by the artists in collaboration with Wide Rainbow and The Marching Cobras.
The interactive Hey Mary! visual sequencer lets you choose different hand clap motions and place them in order to create your own game. Once you’ve designed your game, share it with a friend!
Accessibility
Hey Mary! is best experienced on desktop computers. The website interface has been programmed with consideration for screen readers. Webpage visitors can use their keyboard with the following keystrokes: “tab” to navigate elements, “enter” to add elements to the sequencer, and “delete” to remove them.
Artists
Salome Asega
Salome Asega is an artist and researcher based in New York. She has participated in residencies and fellowships with Eyebeam, the New Museum, the Laundromat Project, and Recess, and has exhibited at the Shanghai Biennale, MoMA, Carnegie Library, August Wilson Center, Knockdown Center, and more. Asega is the director of NEW INC at the New Museum and recently completed a four-year Ford Foundation Technology Fellowship. She sits on the boards of Eyebeam, National Performance Network, and POWRPLNT. Asega received her MFA from Parsons at the New School in Design and Technology, where she teaches classes on speculative design and participatory design methodologies.
Keenan MacWilliam
Keenan MacWilliam is a director, creative director, and multidisciplinary artist based in New York. She has directed works for a wide range of musicians and brands. MacWilliam has consistently led the cultural zeitgeist across music, fashion, publishing, and technology, working on major creative projects for the likes of Apple, i-D magazine, HAWA, Ms. Lauryn Hill, NLE Choppa, Nike, and the New York Times. MacWilliam is a recent recipient of the Canadian Council of the Arts Grant in support of her autobiographical film, which is currently in production. As a collaborative and community-driven storyteller, MacWilliam strives to tip the scale through intentional creative praxis, mentorship, and education.
Production Credits
Bomani Oseni McClendon, Co-technical Lead
Mailiis Law, Co-technical Lead
Haein Kim, Illustrator and Animator
Wayn O’Hara Reid, Video Editor and Videographer
Mailiis Law, Co-technical Lead
Haein Kim, Illustrator and Animator
Wayn O’Hara Reid, Video Editor and Videographer
Acknowledgments
Thank you to the High Line, Diya Vij, Lee Heinemann, The Marching Cobras, Maia Ruth Lee, Wide Rainbow, Scope of Work, Wayn O’Hara Reid, Jeremy Grier, Sienna Fekete, and Lars Probert, who helped us bring to life the first iteration of this project and performance in 2019.
In The Works
Thank you to our partners
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The creation of new work at The Shed is generously supported by the Lizzie and Jonathan Tisch Commissioning Fund and the Shed Commissioners.